adult

Pay What You Can: A Ciné Sinclaire First

Today, we are so proud to announce that all original Ciné Sinclaire content will be available on a Pay-What-You-Can (PWYC) basis. You can even go try it out right this second!

We’ve been working toward this since we launched two years ago, knowing full well that our rigid pricing structure leaves many of our films out of the very hands of the people that we are representing.

Pricing starts at $1, which we realize is still a barrier for some people – but this is the smallest amount that our credit card processor will allow us to charge. Users will see a few options at checkout. There is a highlighted green option showing the suggested price of the film, and two other pricing options – half and double the suggested price. These options are meant to be for those that just want to click an option quickly, but there is also the option to fill in a custom amount if you’ve got the time.

Suggested prices are based on performer pay, set rentals, gear, crew, and general cost of production (down to the food we have on set to make sure everyone is energized and nourished). It costs money to make porn – especially porn that makes its performers a priority.

Ciné Sinclaire logo

With this change also comes a streamlining of the checkout process. We’re getting rid of subscriptions, and all films will be streaming-only. This way, you’re on your way to a sexy movie super fast, for the price you can pay.

If you’re looking for a guideline on how much to pay, consider your economic situation.

If you’re the kind of person that can head out and buy pretty much anything that you *need*, you should look at paying more to offset those that can’t pay as much. If you’re someone that can go out and buy anything you *want* at any time, you should probably pay a fair amount more. If you’re someone that has trouble making rent, feeding yourself, doing any kind of social activity, making bus fare/paying for a pass, etc, then you should absolutely pay less.

Our work is queer, our sets strive to be non-oppressive, we’re woman-run, we’re anti-capitalist (while acknowledging we live in a capitalist society and folks have gotta eat), and we’re so ready to step into the pricing system that just *feels right* to us.

Go try it out now!

Paying for your porn is sexy. ❤

Let’s get Productive: 4 tips to get to it and get shit done

This is a post in my dildoholiday series. If you’d like to read the whole shebang of what happened while we were out there, you should totally start out here.

Moving right along.

Day 2 in the #dildoholiday household started at a reasonably late hour, with a few cautious tweets from a couple of us around noon. As we stumbled about in our sleepy bodies, we found the Cherub of Shame juding our food choices from inside the refrigerator. Jerk.

Photo by Girly Juice

Photo by Girly Juice

The day had one main topic to be touched on at some point: productivity. Trouble was, we’d all stayed up so late being excited and settling in to the house that we’d all barely slept. I’ll touch on why that’s shitty for productivity later, but I imagine you can draw a correlation in your own life beteween those nights that we get 4 hours of sleep and the amount of work you (don’t) get done the next day.

We all eventually gathered around the big kitchen table with our laptops and ideas, and Girly Juice led us in a chat about productivity. Her output is amazing, and we all particularly adore her for it. Her dedication to a regular release schedule, and the amazing content that she throws out shows that not only does she write a lot, but that she does work to make that writing turn out so well.

Look 'ma, we got off the couch!

Look ‘ma, we got off the couch! photo by Reenie

So, without further ado, here’s Kate’s tips for productivity, inspired by #dildoholiday and Girly Juice:

1) Make more effective lists

I live by lists. I can’t concentrate on any one thing for longer than half an hour generally, and so I really need to write down all the shit that I need to get done in a day or none of it will happen.

I also know how I handle stress, and how I let myself get defeated by tasks. For example, if I have the list item “Clean your office”, I might start that task but will quickly get distracted and move on to some other thing that is either on my list or just something shiny nearby that catches my attention. At the end of the day, my office still looks like shit and my list has just as many things on it as it did before, since I didn’t really finish cleaning my office.

So instead, here’s an example of my lists:

-Pick up papers off bed and sort them
-wrangle sex toys
-dust desk
-take out the garbage
-replace bag in the garbage bin

Can you see the difference there? I’ve made all kinds of little list items based around cleaning the office, but I get to check off way more shit way more quickly. It really helps me to manage larger tasks by listing the steps involved.

The exact same thing goes for work tasks. For example, I’m in the middle of planning an East Coast screening tour with a colleague on Evernote (which is great for coworking). Obviously the list could include something like “Get venue”, but there are so many steps hidden in that one step. The list, as it stands, for the venue in each city contains the following types of steps:

-research venues via locals
-find contact person
-email re regulations on screening nudity
-settle date
-book venue

Break it down into small, manageable tasks that you can check off easily and, more importantly, keep track of super easily.

2) Make yourself get out of your comfy spot

I never do anything but this in bed.

I never do anything but this in bed.

I have a super comfy spot on the couch in my living room, and also I have my bed. I’ve spent a long time perfecting both of these spaces so that everything around them calms me and makes me think gleefully of the past, present, and future. While that’s awesome, I often find myself just sitting there, thinking, for literally hours. I can’t be stopped.

I like to physically put myself in a space that is built for my productivity, or in a space that is quite simply not my fucking couch. While my couch is great, it lacks a place for me to put my mouse and use it in any useful capacity. Most of the work that I do require some serious mouse use, and I primarily work from a laptop since I travel so much.

All of that said, your space to work in should be comfy. My office in my house is a space that celebrates the accomplishments of my reasonably short time here on earth. I keep framed copies of newspaper articles about me, awards I’ve won, etc, all around just to remind me to keep at it. But it’s a space that’s specifically meant for work. The couch was not meant for work, for me. If it was for you, then by all means work on the couch. But try to separate your comfy relaxing spaces from your work spaces, whatever they look like.

3) Get fancy

Here I am, getting fancy for a day of productivity.

Here I am, getting fancy for a day of productivity.

This tip definitely won’t be the same for everyone, and I understand the classism inherent in getting fancy for business. But this element really works for me, so I’ll talk about what it means to me in the context of my own experiences.

I started to like “dressing up” around the age of 24. I had previously been a very jeans and a t-shirt kind of person, and didn’t really do the femme thing. I think I owned two pieces of what I’d call makeup, no nail polish, and maybe one dress. I also didn’t have much disposable income. But even back then, I remember that getting up, putting on whatever made me feel good, doing my hair (it was short, easy to do, but even just the act of *doing* it was important), and sitting down to work on whatever was in front of me really got me started.

Since then, I’ve amassed a lot of “fancier” items, but the ritual itself remains the same. Now it includes things like earrings and fancy nail polish (I cut the waiting time involved in this by using Julep’s Polymer Topcoat, which dries super fast). The trick is to get a bit fancy, feel good about yourself, but also not spend the entire morning/afternoon/whatever getting fancy. I try to limit myself to about 20 minutes, and I should also note that the idea of getting dressed is actually a thing that motivates me to finally get out of bed. Maybe this is a way that I can pitch to myself that buying all the clothes I buy is actually an investment in my business. Yeah.

For me, it’s a dress, earrings, brows, lipstick, putting my hair up, and a nice set of underpants. For you, it could be your best sweat pants and a top that makes you feel awesome about yourself. The idea of the whole thing is to make yourself feel really good about yourself before you start working. As a few #dildoholiday participants pointed out, feeling good about yourself can also mean feeling *super* comfy. Harness the power of clothing, however you like!

4) If you work from home, try leaving home every now and again

It's my laptop working on things from a college campus in Winnipeg.

It’s my laptop working on things from a college campus in Winnipeg.

This is more important than you’d think. Getting out of your space can stimulate creativity in ways you didn’t know it could. Being in a new environment kicks you out of your habits and into new ones.

I tend to either rent space at 245 McDermot, which is a coworking space in Winnipeg owned by ACI (Creative Manitoba) that rents hot desks for $30/day, go to an hOffice, or go to a local haunt that serves frosty beverages, since I don’t drink caffeine at all. I have a magical productivity spot that lives around 1.5 drinks and then sharply drops off, and so I do have to make sure that I pace myself with great discipline. I imagine this is the same for coffee drinkers. (and please don’t think this means you need to consume alcohol or caffeine or any other drug in order to be creative or to focus)

Stay tuned for the next episode of #dildohoilday on my blog, where we’ll talk about making our own glass dildos!!

And if you haven’t read part 1 of the #dildoholiday series, go read it right now!! 

Ciné Sinclaire’s Curated Clip Store – Call for submissions!

Do you make porn? AWESOME! Are you Canadian? EVEN BETTER! Not Canadian? Read on, you may also fit in here.

CinéSinclaire.com is a porn site with emphasis on the experience of fucking/sex/intimacy. Performers guide shoots through their own boundaries, wants, desires, and consent. We are launching this Spring with a catalogue of our own films produced by Kate Sinclaire, and a clip store of content produced by others. We are intersectionally feminist, and prioritize the inclusion of groups of people that are traditionally underrepresented in porn, or that are traditionally not given space for their own narratives.

We will be implementing a curated clip store section of our site. We’re paying specific attention to Canadian producers, but are happy to view work from anywhere in the world! If you’d like to submit some of your own work to be hosted on our clip store, we need a few things from you:

-The file in final high res quality: 1080p is great, or whatever the largest file size you have is. Please send in MP4 (H.264+AAC) format.
-A 20-40 second trailer to promote the piece, again in the same formats above.
US 2257 forms for all performers featured in your work. This includes everyone that appears in the film, whether they are active participants or not.
This form, filled out, giving Cine Sinclaire permission to distribute your film, and stating that you have the rights to distribute the film. If you did not produce the film personally, you must obtain permission from the original producer. Cine Sinclaire and Cherrystems Media will not claim responsibility for distributing films that are not owned by the person that submits them, and legal action can be taken against the submitter if the rights do not belong to them, for misleading Ciné Sinclaire AND for violating copyright of the original producer.
-Send all information to kate@cherrystems.com, and send all files to the same dropbox. Not all films will be eligible for the clip store – we will select films based on quality. In doubt? Submit and see! Anything not accepted will be politely returned with encouragement to create more, and the work will not be featured in any way on Ciné Sinclaire.

Hooray! It’s that easy! Now, how does the payment work?

Payment will be distributed to the party that submits the film to Ciné Sinclaire when a certain profit level is reached. To begin, this pay out level will be in $50 increments or monthly (if film is making more than $50 profit per month, that month will be paid all at once. If it takes a film longer than a month to make $50 profit, pay will be sent out when the film makes $50) and will be online-based. Ciné Sinclaire will take a 40% cut of the sale of each film to cover bandwidth, maintenance, processing fees, and customer service. The remaining 60% will be given to the party that submits the film. A minimum price will be suggested based on length of the film, but producers are free to otherwise name their own price for their work.

Can I have my own store?

This option is coming down the road, but for now, users will indeed be able to search the Ciné Sinclaire clip store by production company/producer, as well as by performer and various tags! You can host all your own work in one spot without worrying about all the time and cost of building a website! Yay!

When does it launch?

We’re just finishing up final details of the design now, so the rest is really just waiting on various things to be implemented/go through. We’re ideally hoping for April/May 2015 at this point! Speed bumps happen. 😉

Let’s make amazing things happen together!

My Journey Through Porn

TW: sexual assault, rape

Spoiler: Porn is the good guy.

I’ve been working in some kind of porn in some kind of way since I was roughly 20, which was 10 years ago. You can look into my projects here and here. I won’t get into them now, but know that they’re awesome and you should totally check them out if you’re over 18.

This is more about the years in between than where I am now, though. It all really starts years before that, growing up in a working class household in a white suburb of a mid-sized city in the middle of nowhere. A city most recently named Canada’s most racist, which is an interesting thing to note but of course isn’t the subject of this. Or not so much directly.

I grew up in a household that encouraged a positive relationship to sex and sexuality as children, mostly due to my mother’s openness. My puberty wasn’t really full of questions as I moved through sex ed. I’d already read it all in books by the time I was 10 and hitting sex ed for the first time in 5th grade.

Shit was honestly pretty idyllic and lovely.

And then I got my period. My curfews stalled, and I was no longer allowed to hang around with boys. My life became super scrutinized, and I had no idea what happened to the open conversations we used to have around sex. My bedroom and personal items were routinely rifled through looking for evidence of penis in vagina, drugs, drinking, anything.

I was a developing woman myself at around 12, and I found that drawing the female form in the nude helped me to understand my own body and that of others. By creating images, I was rejecting ideals and body types that were so frequently presented to me as a young woman with eyeballs. I got to explore what I thought people’s bodies looked like under their clothes, which always fascinated me. It still does.

I threw out a few of the drawings that weren’t as awesome, as one does. One day, my parents found a drawing that I did of a naked woman, lying on the floor, an arm draped across her body. I’d thrown it out because it just wasn’t good enough, or I’d drawn her arms too long, or something, and it wasn’t going to be right. I thought literally nothing of it, because my history of talking to my mother about bodies was so open. And I was throwing this in the trash, so who gives a shit, right?

A few days later, I was called to the kitchen table to have a talk with my parents. There lay the drawing. I was confused as to why we were having a meeting. My mother, to her credit, did reassure me that if I were attracted to women, then that was fine. But overall, the message was clear. I was not supposed to do this. I was not supposed to draw naked people. It made my parents uncomfortable. I remember them asking why I had drawn it. I replied simply that I thought the female body was beautiful. This wasn’t a good enough answer. There was shame, there were instructions not to do it anymore. It was made clear to me that naked women’s bodies were primarily not mine to enjoy since I said I was not gay, and here I was, a 12 year old human with a vagina, drawing naked women. It seemed logical to my parents that I was possibly a lesbian – because bodies are for sex, not beautiful in their own right.

I tore up all the drawings of naked folks I’d done. I internalized that shame, that nudity was supposed to be shameful, and, mostly, that naked bodies were not mine – not even my own body.

Skip forward about 4 years, and I became sexually active at around 16. I suppose I still had my virginity, but that’s just by some societally-accepted version of things. I’d actively decided that I was not going to have p-in-the-v sex until I felt ready to navigate everything that came along with it. I did everything else, because I knew from my still-voracious appetite for sexual knowledge which actions carried a lower risk of STIs and pregnancy.

My first sexual experiences were with complicated at best, and not that amazing. Mostly. There is a certain level of sloppiness in human interaction, and I get that. And we’re talking about a bunch of young folks that only have basic sex ed (mostly anatomy, and mostly internal anatomy in terms of what we learn about those with uteruses) and have had nothing but mainstream porn and media to inform them of what sexual encounters should be like. It’s a lot of fumbling, and it was mostly based around some fucked up things based around access and rights to women’s bodies. But I don’t feel like any of it was out of the ordinary. It was exploration of bodies, consent, and emotions.

All of these experiences came to a head while I was in my first long-term relationship. Rights and access to my body were reinforced as not belonging to me in this relationship. We moved in together. I was fresh (two months) out of high school and 18 years old, and here I was living with this guy in a two bedroom apartment on a notoriously rough street North of Portage Avenue in Winnipeg. I honestly loved the idea of the freedom that came with it, but hadn’t bargained for the intricacies of living with a partner – and all the issues around porn that would surface because of it.

I’d had issues around porn since I was about 10 and had walked in on my father using the early internet to slowly download photos of naked women. I’d mentioned it to my mother, and it nearly caused a divorce. The choice to have or not have the divorce, however, was actually placed on me. My two other siblings had hard answers to the idea of divorce, yes and no respectively, and my mother did not want to make a decision. I remember sitting on a blanket at one of my brother’s football games and being given all the information and told to make a choice. Clearly, porn was the cause of all this stress (and not my parents’ inability to fucking communicate or make decisions like a goddamn adult), and so I associated porn with destruction of relationships.

My partner’s porn habits quickly became obvious. I shared my experience and asked what kind of compromise we could come to. To continue the shitty communication, he agreed not to look at it anymore (unrealistic – for both of us, actually). I inherited my parents’ distrust and frequently checked into his history, learning that he was indeed still consuming the porn. Then we sat down to talk about it. And it was completely the worst fucking thing.

Instead of “I see how you feel”, it was “why aren’t you as cool with it as the women in the movies and pictures?” The conversation went entirely that way, and then it was over. He told me that, even though we were having sex 2-4 times daily, I was not sexually open enough. He started to pick clothes for me that were much more revealing than I would ever have worn, and I kept trying harder to make him happy, by doing pretty much anything.

This is the lady we’re talking about, at age 19, in the second apartment my then-partner and I lived in.

I enjoyed sexual exploration, so I was mostly happy to engage in as much activity as there was to be had. The trouble is, that wasn’t really good enough for him. Being perpetually available was not good enough. There was a lot of emotional manipulation, specifically making me paranoid, and lots of things that I realize now were abuse – like waking up covered in cum, unbeknownst to me. He was expressing what he thought of me by using my body while I was asleep, without my consent. I’d wake up either from the icky sticky wetness feeling on my body or, if I managed to sleep through the night, I’d wake up with a crust to shower off while he’d already left the house. I did object. Every time.

This was a person who was actively involved with the U of W’s LBGT* and Women’s Centres.

I feel so disconnected from that story, even now. I have trouble picturing it or understanding it as a thing that a human would do.

The relationship dissolved along the way as he slept around, and insisted on an open relationship on his end and not on mine. He was to be allowed to sleep with anyone at all, and I was to wait around – because women’s bodies are property, and his penis had laid claim to that piece of land. I called bullshit on this, and we finally decided we’d call it quits. That night, he did not return home after dinner to decide who was moving out – instead, he hooked up with a woman that lived several floors above us, then expected to come back into the apartment to get ready for work. I lost my mind.

It was after my initial breakup with my partner that I decided to shoot for a website. I met some stranger at his apartment in Osborne Village, he filled me up with gin, and I took off my clothes. Something clicked in that moment for me. I felt powerful; in control. I was 20 at this point.

The first shoot – with not-so-great lighting, but lovely otherwise!

My motivations for starting in porn were definitely not ideal. There was a lot of baggage there, and much of the motivation was to show men how sexually available I was, and how I was just as cool as the women in porn – while still maintaining that I didn’t like porn, and that what I was doing was somehow better. Obviously, I was being a hypocrite, but we’ll get to that. However, there was also the motivation of body positivity, and giving other people that feeling of being powerful and in control of their own image. I was still just grappling with all kinds of shit.

I continued to sleep with people randomly, and I can say that a lot of it was exploratory and fun, but the way that I was doing it was still mostly based in the fucked up abuse of the first long term relationship. I used sex to get to people, and to try to have some kind of power. I also used it for fun, and as an outlet, but much of it came from a pretty dark and fucked up place.

It was around the age of 21 that I met a guy in a bar, which was not an odd occurrence. We decided to meet up after class one day, since we were both studying at the U of M. We went out for a drink, it was nice, and then we headed back to my place. I remember having the conversation, in which he asked me if we were going to sleep together. I’d been trying to give myself a bit of time to figure myself out at the moment, and so I’d actually used my own words when I said “Ya know, I don’t think I’m actually that kind of girl.” Which I meant to mean that I was realizing that maybe I wasn’t the kind of person that wanted to sleep around all the time – maybe I wanted to start being choosier and making the decisions for myself. (I should note that there is nothing at all wrong with being *that kind of girl*, just that I was reconsidering if I was or if I just thought that I should be)

Long story short, I got drugged that night in my own home and I put out whether I wanted to or not.

Cue the string of possibly even worse decisions and avoiding of even more realities. I did a lot of fucked up things to a lot of people. I dabbled in some super unhealthy BDSM-type activity (BDSM is not inherently unhealthy, but my topping was not from a positive place, and when I was being bottomed, I’d relive my various abuses in a negative way), dated guys who would routinely yell at me, and generally just did what I could to get by. But through all of this, the idea of Cherrystems blossomed. The body positivity, owning your own image, and being in control of how you are represented. It was the only thing that kept me from feeling the pain at a deep level.

Still, I refused to call Cherrystems porn. I felt it was something better, more thought out, empowering, and positive. The porn that I thought I knew ruined relationships and made men believe that they owned women’s bodies. What I didn’t realize is that porn can be all of those positive things too, and that what I was doing was really no different – it was just given a privileged narrative.

As I grew up and began confronting my demons, I started to realize the truth of the situation. It wasn’t porn that was fucking anything up. It was all people in my life. It was people avoiding real communication, compassion, and forcing me to make decisions that I didn’t want to have make. My parents couldn’t see eye to eye on it, and ultimately put their relationship on me. Being young, I couldn’t fathom my parents being wrong – and so the culprit was most definitely pornography. I brought this pain with me to my future relationships, came down hard on a lot of folks about their use of porn even though I was also consuming it in the same way – but I figured in my hypocrisy that the way that I was using it was not exploitative and was somehow better.

But then we get to the tricky bit. I started to do interviews for newspapers and radio in which I’d get the question – is Cherrystems art or porn? And what is the difference? I at first insisted that we were different because porn was inherently exploitative, and that it dehumanized people and broke them down into parts with functions rather than autonomous human beings with bodies that have parts. Indeed, there still is a difference between those two methods of producing porn, I just hadn’t realized that. I didn’t yet have the vocabulary and experience with feminist porn to realize that that’s all it was – a difference in production styles and values. As I started to become more exposed to the idea that porn could be positive, I slowly began to unpack my own hangups with it. Soon, I realized that porn and art are the same thing. A switch flipped, and though I still felt uncomfortable with it, I started calling Cherrystems porn.

Once I started calling it porn, I was forced to understand all of the moments in my life that had shaped my relationship to the *concept* of pornography. It was a challenge. A fuck of a challenge. But it was something so liberating. I was and continue to be constantly inspired by people that are so amazing, that have their own stories to tell.

I think ultimately, Cherrystems and Ciné Sinclaire are my story to tell. They’re the story of my own reclaiming and newfound understanding of my own sexuality.

Fuze Nuze, July 30th

Hello Fuze friends!

It’s time for me to give you a brief update into the lives of the Fuze team.

I’m the sales lady for Fuze, and I’ve just recently gotten back in the office after being away for my wedding and associated honeymoon. Oooo lala! It was a super great time, I’m happy to be married to a wonderful human being, and the time away was exactly what I needed. 🙂

Hey look, I got married.

Hey look, I got married.

We’ve been hard at work over in Peterborough, Ontario (it’s where Fuze is based!). It’s summer, the heat and humidity are in full force, and we’ve got 4 amazing new designs springing up out of the Canadian mud for you as we move toward fall. What do they look like? Well, I’m sorry, but that’s still a bit of a secret. Suffice it to say, you’re going to like what’s coming. We’ve got a little something for everyone in the new selection, and you won’t be disappointed.

We’ll be unveiling much of this collection at our first-ever trade show! Yes, that’s right, Fuze has gotten this bloody amazing without ever having been to a trade show. Now that our line is becoming fully recognized and our stocks are flowing quickly, it’s time to take our wares to a larger audience. We’ll be posting more about all of the shows that we’ll be attending, but if you have any questions or recommendations on shows we should attend, feel free to leave it in the comments or fire an email to sales@fuzetoys.com.

Wilde says hi from the garden!

A gorgeous Wilde, fresh picked from the garden! 😉

Along with the new toys sprouting up, we’re also right in the middle of harvest time for the owners of the company. When they’re not coming up with new designs or fulfilling orders for shops, they’re out picking heirloom garlic til all hours. Honestly, I don’t think there’s a better way to go through life – sex toys and garlic are among my favourite things in the world, and I imagine I’m not alone in that.

I mean sure, don’t mix them too much maybe?

We’ve also launched our brand new website, for your viewing pleasure. If you’d like to see it, just check out http://www.fuzetoys.com. We’re pretty proud of it, and hope you like it! If you’ve got any feedback for the site, leave it in the comments here!

Hope your day is going great!
Kate

I’m on my way!

I’ve left the beautiful springy weather in Winnipeg for different pastures for the weekend! I’m presently sitting in Toronto in an airport lounge, waiting to board at flight to Washington, DC, for Catalyst Con. So many amazing talks to attend, people to meet, connections to make, and things to experience. 

It’s so incredibly important to me that this event gets put on twice a year, and especially that it alternates between East and West coasts. Catalyst Con West tends to take place in/around LA, whereas Catalyst Con East takes place in Washington, DC. Rather, Arlington, VA – which is across the bridge from the big ol’ policy hill. This ensures that once a year, people from either coast are better able to make it out to the event. It’s little considerations like this that help it to be a successful event. Not to mention the attention to accessibility, and the community base that helps travellers connect with people to split hotel costs.

The event is really like no other. The atmosphere is positively.. Sex positive. In my personal, day to day life, I have a lot of non-queer cisfolk around me who have never had their ideas challenged. I do a lot of educating in my day to day life. I do a lot of tiptoeing, a lot of trying to make sure people don’t get mad at me when they use a slur (it’s essential to me as a cis queer femme-y lady in a hetero relationship that I stand up and be an ally in conversation so that I can stop the aggressions before they fall on the ears of someone whose lifestyle/entire life is being shit on because I have the privilege of having the world mostly cater to my ass). But at Catalyst Con? We’re cool. Suddenly I’m immersed in a space made of fucking sex positive fairy dust and happiness. 

And the people! The people! From presenters to attendees, everyone in the building is top notch. I’ve met so many people in just one conference that I can now think of as my ccon friendsies. There are too many to name – I’d be afraid of leaving someone out. It’s seriously the kind of environment you can walk into as a sex positive educator/sex worker/blogger/whatever, and feel totally welcome. 

Is that a great accidental PSA for ccon or what?

I can’t wait. Hope my flight stays on time!